{"id":6818,"date":"2019-07-26T21:22:48","date_gmt":"2019-07-26T16:22:48","guid":{"rendered":"http:\/\/www.fsf.si\/2019\/?page_id=6818"},"modified":"2024-10-02T13:51:43","modified_gmt":"2024-10-02T11:51:43","slug":"industry-programme","status":"publish","type":"page","link":"https:\/\/fsf.si\/2024\/en\/industry-programme\/","title":{"rendered":"Industry Programme"},"content":{"rendered":"
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WEDNESDAY<\/strong>, 23. October<\/strong><\/span><\/span><\/h4>\n

\u00a0<\/strong><\/p>\n

11.00\u201313.00 <\/strong><\/p>\n

Green Hall<\/em><\/strong><\/p>\n

\u00a0<\/u><\/p>\n

Film and audiovisual co-productions between Austria and Slovenia: Industry meeting<\/strong><\/p>\n

 <\/p>\n

The Slovenian Film Centre, in collaboration with the Austrian Film Institute, organises the second co-production industry meeting of Slovenian and Austrian film institutions, filmmakers, and producers. The meeting will start with a presentation of funding opportunities in Austria and Slovenia.<\/p>\n

The first meeting took place at Diagonale, Graz earlier this year. The event aims to discus further possibilities for enhanced collaboration between Slovenian and Austrian producers and filmmakers, based on Article 20 of the Agreement between the Government of the Republic of Slovenia and the Government of the Republic of Austria on collaboration in culture, education, and science. Slovenia and Austria are countries with rich cultural heritage that share a passion for cinema. Cinema is a universal language of art that transcends borders, and by signing the agreement, the two countries have committed to advance co-produced filmmaking. In line with the agreement, the two sides are working towards enhanced cooperation in the field of film production and co-production. The event is an important step towards realising these joint efforts and creating better conditions for international film co-productions in both countries.<\/p>\n

 <\/p>\n

17.00<\/strong><\/p>\n

Green Hall<\/strong><\/p>\n

 <\/p>\n

DAYS OF SLOVENIAN CINEMA ANNIVERSARY: Presentation of the book commemorating 10 years of the festival <\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

The Sava Slovenian Society in Belgrade was formed at the turn of the century to bring together Slovenian intellectuals in Serbia\u2019s cultural landscape and help preserve the Slovenian language. When after the war the borders reopened, this allowed for cultural exchange that saw a selection of contemporary Slovenian films travel each year from Portoro\u017e to the Yugoslav Cinematheque in Belgrade. The first edition of Days of Slovenian Cinema was held in November 2015. In the following decade, more than 200 Slovenian features and shorts were screened to a warm reception from the audience in Belgrade.<\/p>\n

To mark the 10th edition, a book was released, celebrating the key events, filmmakers and artists credited with developing the festival and keeping it alive. The publication was produced by members of the Sava Society with editorial and technical support from Planeta Magazine.<\/p>\n

The presentation will be partly in Serbian.<\/p>\n

 <\/p>\n

\u00a0<\/u><\/p>\n

18.00 <\/strong><\/p>\n

Avditorij Portoro\u017e<\/strong><\/p>\n

Opening of photography exhibition by Irena Herak<\/strong><\/p>\n

 <\/p>\n

Irena Herak’s photographs have left their mark on the Days of Slovenian Cinema with expressionist aesthetics, her portraits documenting and visually interpreting moments from the world of cinema since the festival\u2019s very beginnings. It was thanks to Herak\u2019s camera that many personalities and encounters have gone down in history, such as the first reunion of actors from Klop\u010di\u010d\u2019s Funeral Feast<\/em>, Sne\u017eana Nik\u0161i\u0107 and Rade \u0160erbed\u017eija, in decades.<\/p>\n

First exhibited in Belgrade during the 10th anniversary edition of Day of Slovenian Cinema, the portraits will be on display at the Festival of Slovenian Film Portoro\u017e in their first ever show outside Serbia.<\/p>\n

 <\/p>\n

THURSDAY<\/u><\/strong>, 24. October<\/u><\/strong><\/span><\/h4>\n

 <\/p>\n

10.00 <\/strong><\/p>\n

Green Hall<\/strong><\/p>\n

\u00a0<\/u><\/p>\n

LECTURE AND PANEL DISCUSSION: The ABCs of copyright law \u2013 the rights of AV work co-authors<\/strong><\/p>\n

The event will start by briefly outlining the basics of copyright law (types, content and subject of copyright and related rights, their economic meaning, limitations of rights, the meaning of monetary compensation, legal sources); the legal status of co-authors of AV works; and the general rules of contract law in the film industry. This will be followed by an explanation of the new starting points (safeguards) for fairer film contracts for co-authors of AV works (adequate, proportionate and non-transferable remuneration, compulsory collective management, transparency principle, best-seller clause, good practices with collective or guild agreements, etc.).<\/p>\n

The introductory lecture will be delivered by Dr Miha Trampu\u017e of the Copyright Agency of Slovenia (AAS), a legal adviser on copyright law.<\/p>\n

 <\/p>\n

12.15 <\/strong><\/p>\n

Main Hall<\/strong><\/p>\n

CELEBRATING THE CENTENARY OF IGOR PRETNAR\u2019S BIRTH: Eisenstein\u2019s Student: Director Igor Pretnar in Moscow<\/em> (Slavko Hren, 2012)<\/strong><\/p>\n

Of the Slovenian directors who made a name for themselves after World War II, Igor Pretnar was the only one who also trained in Moscow at the All-Russian University of Cinematography under Sergei Eisenstein, in addition to studying at the Academy of Dramatic Arts in Ljubljana. Using biographical data, written memoirs and personal testimonies of contemporaries, the documentary Eisenstein\u2019s Student seeks the truth about little-known, largely unexplored chapters of Slovenian cinema in the immediate aftermath of the World War II, when the architects of the country\u2019s \u2018new cultural policy\u2019 decided that future film workers would learn their craft from filmmakers from Eastern Europe, especially the Soviet Union. Igor Pretnar, who would later make some of Slovenia\u2019s most iconic classics with films such as Wild Growth (Samorastniki) and Idealist, was assigned to travel to Moscow.<\/p>\n

After the screening, Nerina Kocjan\u010di\u010d talks to the director Slavko Hren.<\/p>\n

\u00a0<\/strong><\/p>\n

13.00\u201317.00 <\/strong><\/p>\n

Green Hall<\/strong><\/p>\n

 <\/p>\n

Green Film Making with Ines Ke\u017eman<\/strong>\u00a0<\/strong><\/p>\n

The green transition is the key challenge of our time, which is why delivering on the Green Deal objectives is one of the European Commission’s top priorities. This has a direct impact on the film industry and its need to adapt its practices to reduce its environmental footprint. The EU’s Creative Europe programme encourages concrete action, requiring applicants to submit a ‘Green Strategy’ together with their application. The seminar looks into how the film industry can contribute to reducing its carbon footprint. The event welcomes all filmmakers interested in gaining useful knowledge and guidance on how to introduce environmentally sustainable practices in their work.<\/p>\n

Organised by The Slovenian Federation of Filmmakers\u2019 Guilds in collaboration with Motovila.<\/p>\n

 <\/p>\n

16.00\u201317.00 <\/strong><\/p>\n

Amphitheatre<\/strong><\/p>\n

\u00a0<\/u><\/p>\n

3rd film student networking event: DETECTION<\/strong><\/p>\n

 <\/p>\n

This year\u2019s festival edition brings the third networking event for film students of the Academy of Fine Arts, University of Ljubljana, the Academy of Theatre, Radio, Film, and Television, University of Ljubljana, and the School of Arts, University of Nova Gorica, aimed at bringing students together to meet and share their impressions of being film students.<\/p>\n

As the organiser this year, the Academy of Fine Arts, Ljubljana (ALUO) is running a tombola of experience to bring together students that are on the same wavelength both professionally and personally. The event was conceived and will be hosted by ALUO students Hannah Koselj Maru\u0161i\u010d, Erik Bo\u010dko, and Lan Mohori\u010d Bon\u010da.<\/p>\n

 <\/p>\n

FRIDAY<\/u><\/strong>, 25. October<\/u><\/strong><\/span><\/h4>\n

 <\/p>\n

10.00\u201311.15 <\/strong><\/p>\n

Green Hall<\/strong><\/p>\n

\u00a0<\/u><\/p>\n

Creative Europe opportunities in film and cross-sector integration with music<\/strong><\/p>\n

Motovila (Creative Europe Desk Slovenia) and the Slovenian Music Information Centre (SIGIC) invite film producers and other interested film professionals to a presentation of current Creative Europe international funding opportunities for film projects and opportunities for cross-sector integration between the film and music sectors.<\/p>\n

The event will be partly in Slovene and partly in English, without interpretation.<\/p>\n

 <\/p>\n

10.00\u201310.45<\/strong>\u00a0<\/strong><\/p>\n

MEDIA strand opportunities for AV sector (Sabina Bri\u0161ki Karli\u0107, Motovila \/ CED Slovenia)<\/strong>\u00a0<\/strong><\/p>\n

The latest funding opportunities for the AV sector under the Creative Europe MEDIA strand are presented in the light of upcoming deadlines and application conditions, along with changes to consider and tips on how to produce a better application in the increasingly competitive funding & tender environment.<\/p>\n

More information and registration: sabina.briski@ced-slovenia<\/p>\n

 <\/p>\n

 <\/p>\n

10.45\u201311.15<\/strong>\u00a0<\/strong><\/p>\n

MUSIC IN FILMS \u2013 an obstacle or opportunity? (Markus Linde Talking to Barbara Zemlji\u010d)<\/strong><\/p>\n

Dogodek bo deloma potekal v sloven\u0161\u010dini, deloma pa v angle\u0161\u010dini brez tolma\u010denja.<\/p>\n

Many film school curricula pay little attention to music, so students are often left to their own devices when it comes to scoring their films. Music supervision or licensing are crucial roles in synchronisation, and finding the right creatives for the job often depends on the budget. The Europe in Synch (EinS) project brings together the film and music worlds by organising workshops at European conferences and promoting dialogue and better understanding between the two sectors. Meet the EinS experts and take the opportunity for a one-to-one consultation on music for your film.<\/p>\n

More information and registration: manca.ogrin@sigic.si<\/a><\/p>\n

The event will be partly in Slovene and partly in English, without interpretation.<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

11.30 <\/strong><\/p>\n

Green Hall<\/strong><\/p>\n

FIPRESCI Association of Slovenian Film Critics: WOMEN MAKING FILMS<\/strong><\/p>\n

Although Slovenian cinema didn’t get a feature directed by a woman until 2002, it seems that in 2024, when the City of Women festival celebrates its 30th edition, the film industry is finally ready for a more equal representation of women. Or is it? The director and screenwriter Sonja Prosenc, producer Ida Weiss, editor Sara Gjergek, and director Maja Doroteja Prelog, who has won an award for the promotion of gender equality for her documentary debut, discuss the social and systemic challenges they face in their field of work today. Chaired by Dr Polona Petek.<\/p>\n

Organised by the FIPRESCI Association of Slovenian Film Critics with financial support from the Slovenian Film Centre.<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

13.00 <\/strong><\/p>\n

Green Hall<\/strong><\/p>\n

LITERATURE ON FILM: Panel discussion on literature and film adaptations<\/strong><\/p>\n

To mark the 90th birth anniversary of Matja\u017e Klop\u010di\u010d, who adapted his Funeral Feast <\/em>(1969) from Beno Zupan\u010di\u010d’s novel ‘Sedmina’, and the centenary of birth of Igor Pretnar, who transferred works by Pre\u017eihov Voranc and Ivan Cankar to Wild Growth<\/em> (1963) and Idealist<\/em> (1976), we discuss connections between cinema and literature. In a time of renewed interest in literature on film with female authors, such as Suzana Tratnik, Bronja \u017dakelj, and Dijana Matkovi\u0107, we look into what makes literature cinematic, how adaptations of classics differ from those of contemporary literary works, and why it is important to build bridges between literary and screenwriting worlds.<\/p>\n

Speakers include Aljo\u0161a Harlamov, a former editor of Cankarjeva zalo\u017eba publishing house, member of the Ekran Magazine editorial board and film podcaster; writer Suzana Tratnik; Dr Matev\u017e Rudolf, a scholar and author of \u2018Ko beseda podobo najde\u2019, a book on Slovenian literature and cinema in theory and practice; and director and screenwriter Matev\u017e Luzar. Chaired by Veronika Zakonj\u0161ek.<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

17.00 <\/strong><\/p>\n

Green Hall<\/strong><\/p>\n

The Screen Actors Guild of Slovenia: PRESENTATION OF ‘ISKRA’ CERTIFICATE<\/strong><\/p>\n

The Iskra Certificate allows creatives to affirm their commitment to zero tolerance of sexual harassment and violence in the workplace and in the artistic process. To obtain it, candidates must be familiar with a few transparent steps that will prevent or at least limit sexual harassment and violence. The results of a survey carried out in 2021 show that both are present in the audiovisual sector. The certificate is aimed at public institutions, NGOs, AV producers as well as individual projects. It is a commitment to use tools that empower all those involved in the artistic process. The Iskra Certificate is already resonating in the performing arts, and now the aim is to introduce and extend it to the AV sector.<\/p>\n

The Iskra Certificate was conceived by the Screen Actors Guild of Slovenia and the Slovenian Association of Dramatic Artists with the financial support of the Ministry of Culture of Slovenia.<\/p>\n

Presentation by Nika Rozman, Rina Pleter\u0161ek, and Barbara Skubic, members of the Screen Actors\u2019 Guild #itendswithus working group.<\/p>\n

 <\/p>\n

 <\/p>\n

SATURDAY<\/u><\/strong>, 26. October<\/u><\/strong><\/span><\/h4>\n

\u00a0<\/strong><\/p>\n

10.00 <\/strong><\/p>\n

Green Hall<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

WORKSHOP PRESENTATION AND CLOSING SESSIONS<\/strong><\/p>\n

The Directors Guild of Slovenia (DSR) invites you to a presentation and closing sessions of three workshops:<\/p>\n

\u2018Kratka scena\u2019, a short film script development workshop, is organised in a creative partnership between DSR and the Society for short film promotion Kraken. An introduction of the workshop and its programme by the head of the workshop, Tanja Hladnik, is followed by project pitches by the participants of its ninth edition.<\/p>\n

\u2018Dokumentarnica\u2019, a documentary filmmaking lab, has been underway for the fourth year with directors Matja\u017e Ivani\u0161in, Rok Bi\u010dek, and Petra Seli\u0161kar. Presentations of their projects will be delivered by participants of Year 2023.<\/p>\n

\u2018Scenarnica\u2019, an intensive feature film script development workshop on how to turn an idea into the first version of the screenplay, has seen its ninth edition, this time with Elma Tataragi\u0107 as the tutor. A presentation of the workshop by its artistic head Matev\u017e Luzar is followed by project pitches by the participants, who will also read short excepts from their scripts.<\/p>\n

All three workshops are funded by the Slovenian Film Centre.<\/p>\n

 <\/p>\n

 <\/p>\n

14.00 <\/strong><\/p>\n

Amphitheatre<\/strong><\/p>\n

 <\/p>\n

DSR SOCIAL GET-TOGETHER<\/strong>\u00a0<\/strong><\/p>\n

Join us for a social get-together over lunch!<\/p>\n

All film enthusiasts are welcome: professionals or professionals-to-be.<\/p>\n

The Saturday afternoon get-together is hosted by the Directors Guild of Slovenia (DSR) and the Slovenian Film Centre.<\/p>\n

 <\/p>\n

 <\/p>\n

KOSOBRIN AWARD CEREMONY<\/strong>\u00a0<\/strong><\/p>\n

At the 10th Kosobrin Awards Ceremony, the Directors Guild of Slovenia presents its 2024 Kosobrin Award for a priceless crew member.<\/p>\n

The Kosobrin Awards Ceremony is part of \u2018Evenings of the Directors Guild of Slovenia\u2019, a programme funded by the Slovenian Film Centre.<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

FREE CHESS ZONE<\/strong>\u00a0<\/strong><\/p>\n

FSF traditionally provides the opportunity to invite your colleagues or random strangers to a game of chess, a royal game where rather than defeat, losing is a chance for another game. Come and join us at one of the two tables with a chessboard!<\/p>\n

The tournament is organised by the Chess Division of the Directors Guild of Slovenia (DSR).<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

16.00 <\/strong><\/p>\n

Main Hall<\/strong><\/p>\n

 <\/p>\n

CELEBRATING THE 90TH BIRTH ANNIVERSARY OF MATJA\u017d KLOP\u010cI\u010c: Funeral Feast<\/em> (Matja\u017e Klop\u010di\u010d, 1969)<\/strong>\u00a0<\/strong><\/p>\n

Funeral Feast<\/em> was the third feature film directed by Matja\u017e Klop\u010di\u010d, one of the aesthetically most distinct Slovenian filmmakers, whose 90th birth anniversary we celebrate this year. This was also his first adaptation of a literary work \u2013 Beno Zupan\u010di\u010d\u2019s 1957 novel \u2018Sedmina\u2019 \u2013 and his first film in colour, with few black & white scenes. Despite being set in Ljubljana during World War II, in the first year of Italy\u2019s occupation, this is no ordinary film about the national liberation struggle. Against this historic background, its focus is on students about to graduate from high school, whose coming of age is brutally interrupted as they seek contact with the resistance movement in the midst of their first amorous longings and erotic experiences. According to Zdenko Vrdlovec, Funeral Feast<\/em> made the national liberation movement an aesthetic category, a set of associative images that disrupt the usual perception of time, space and events, thereby undermining the solidity of the expected ideological frameworks.<\/p>\n

Followed by a conversation.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

SUNDAY<\/u><\/strong>, 27. October<\/u><\/strong><\/span><\/h4>\n

10.00 <\/strong><\/p>\n

Green Hall<\/strong><\/p>\n

 <\/p>\n

CO-PRODUCTION OPPORTUNITIES IN THE REGION: Panel discussion<\/strong><\/p>\n

Traditionally, countries from the wider region have been Slovenia’s most important partners for film co-productions. According to all statistics, Croatia and Serbia have been at the top of the list in terms of the number of co-productions with Slovenia in recent years, and there are growing opportunities for cooperation in the wider region. In a discussion with the Director of the Slovenian Film Centre, Nata\u0161a Bu\u010dar, the directors of film centres from the region present the possibilities for cooperation in their countries and the support they offer. The panellists include Athena Kartalanou, Director of the Greek Film Centre, Aleksandra Bo\u017eovi\u0107, Director of the Film Centre of Montenegro, Petar Todorov, Director of the Bulgarian National Film Centre, Ivan Karl, Director of Film Center Serbia.<\/p>\n

In the closing session, the panellists will be available for questions from the audience.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"WEDNESDAY, 23. 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