{"id":3920,"date":"2019-06-05T11:51:06","date_gmt":"2019-06-05T10:51:06","guid":{"rendered":"http:\/\/www.fsf.si\/2019\/?page_id=3920"},"modified":"2025-10-26T21:44:20","modified_gmt":"2025-10-26T20:44:20","slug":"awards","status":"publish","type":"page","link":"https:\/\/fsf.si\/2025\/en\/awards\/","title":{"rendered":"Awards"},"content":{"rendered":"
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Jury for feature films<\/strong>: Andrej Gustin\u010di\u010d, Juraj Leroti\u0107, and Natalija Majsova<\/p>\n

Jury for short fiction, documentary, experimental, animated, and student films<\/strong>: Sara Bezov\u0161ek, Nikola Majdak, and Slavko Hren<\/p>\n

\u00a0<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

VESNA AWARDS<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Feature Film<\/p>\n

Little Trouble Girls<\/strong><\/p>\n

Directed by: Ur\u0161ka Djuki\u0107<\/strong><\/p>\n

Production: Zavod SPOK<\/p>\n

Jury statement: Thanks to its distinctive cinematic language, building on careful interweaving of acting, sound, and camera work, Little Trouble Girls<\/em> offers a unique aesthetic experience. By giving an insight into the existential complexity of adolescence, the film compellingly and thoughtfully unfolds a wide range of eternal themes \u2013 from friendship, love, and sexuality to solidarity and betrayal. The empathetic perspective consistently developed by the film opens up space for the organic coexistence of humour and seriousness, love and contempt, hope and fear.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Director<\/p>\n

Petra Seli\u0161kar<\/strong><\/p>\n

for The Mountain Won\u2019t Move<\/strong><\/p>\n

Jury statement: The filmmaker Petra Seli\u0161kar has created an unforgettable documentary about a disappearing way of life. Her direction combines stunning landscapes with carefully observed personal details, creating a film that is both epic and intimate, and which could be described as one of the most beautiful films about boys ever made.<\/p>\n

\u00a0<\/strong><\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Screenplay<\/p>\n

Petr Kraj\u00ed\u010dek, Marek Kr\u00e1l, Patrik Pa\u0161\u0161, Jerneja Kaja Balog, Maja Kri\u017enik, Blandine Jet and the author of the original story, Arno\u0161t Goldflam<\/strong><\/p>\n

for Tales from the Magic Garden<\/strong><\/p>\n

Jury statement: While elegantly reawakening childhood hopes and fears, the screenplay also delves into loss and the power of family connections across generations, doing so with a tinge of lightness and an understanding of a child’s view of the world.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Actress in a Leading Role<\/p>\n

Jara Sofija Ostan<\/strong><\/p>\n

for her role in Little Trouble Girls<\/strong><\/p>\n

Jury statement: The award for Best Actress in a Leading Role goes to Jara Sofija Ostan for her extraordinarily subtle portrayal of a young woman\u2019s inner transformation. With little dialogue, which relies heavily on looks and gestures, Jara Sofija Ostan conveys a complex range of emotions \u2013 from fragility and shame to liberation and self-awareness. In her first role on film, Ostan captures, with outstanding authenticity, the contradictions and emotional complexity that give the film its profoundly human and authentic character. Characterised by grave honesty and emotional power, her acting is the film’s central pillar.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Actor in a Leading Role<\/p>\n

\u00d3lafur Darri \u00d3lafsson<\/strong><\/p>\n

for his role in Hidden People<\/strong><\/p>\n

Jury statement: The award for Best Actor in a Leading Role goes to \u00d3lafur Darri \u00d3lafsson for his convincing performance that endows the dramedy Hidden People <\/em>with a demonstration of the complexity of human intimacy. In the film, \u00d3lafsson gives a subtle performance as a man who has lost his footing, skilfully manoeuvring between humour and tragedy while maintaining a consistent, precise acting style. With his unobtrusive presence, \u00d3lafur Darri \u00d3lafsson builds a strong emotional bond between his character and the audience.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Actress in a Supporting Role<\/p>\n

Mina \u0160vajger<\/strong><\/p>\n

for her role in Little Trouble Girls<\/strong><\/p>\n

Jury statement: The award for Best Actress in a Supporting Role goes to Mina \u0160vajger for her role as Ana-Marija in Little Trouble Girls<\/em>. Although powerful and attractive, her performance makes room for the lead actress to develop her complementary role. Throughout the film, Mina \u0160vajger continues to surprise and deftly reveal new nuances of Ana-Marija\u2019s personality. Her acting energy drives the emotional transformation of the main protagonist, adding layers of intensity, sensuality, and unpredictability to the film.<\/p>\n

\u00a0<\/strong><\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Actor in a Supporting Role<\/p>\n

Sa\u0161a Tabakovi\u0107<\/strong><\/p>\n

for his role in Little Trouble Girls<\/strong><\/p>\n

Jury statement: The award for Best Actor in a Supporting Role goes to Sa\u0161a Tabakovi\u0107 for his both subtle and powerful rendering of an authority embodying social and generational pressures in Little Trouble Girls<\/em>. Tabakovi\u0107 portrays the antagonist without patronising or judging him, thus allowing the audience to relate and understand his inner conflicts. Sa\u0161a Tabakovi\u0107 crafts his supporting role with a perfect dramatic arc in which every movement carries meaning and emotion.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Cinematography<\/p>\n

Gregor Bo\u017ei\u010d<\/strong><\/p>\n

for Fiume o morte!<\/strong><\/p>\n

Jury statement: The director of photography, Gregor Bo\u017ei\u010d, evocatively and flawlessly intertwines the light and shadow of the past and present, two periods separated by more than a century. His cinematography in the present revives feelings of past events and political traumas.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Original Music<\/p>\n

Relja \u0106upi\u0107<\/strong><\/p>\n

for Fantasy<\/strong><\/p>\n

Jury statement: The award for Best Original Music goes to Relja \u0106upi\u0107 for his music in Fantasy<\/em>. \u0106upi\u0107’s compositions are an indispensable element of the film’s world, which is both magical and largely familiar. \u0106upi\u0107\u2019s music enhances the complexity of the protagonists\u2019 journeys, creating a profoundly memorable viewing experience of being fully immersed in the film.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Editing<\/p>\n

Laureline Delom <\/strong>and Sashko Potter Micevski<\/strong><\/p>\n

for The Mountain Won\u2019t Move<\/strong><\/p>\n

Jury statement: The editing in The Mountain Won\u2019t Move<\/em> shifts between being contemplative and exciting, just as the daily life it shows, thereby allowing the audience to experience the events in the same way as the protagonists. It is a perfect example of the so-called invisible editing, one which achieves its purpose without drawing attention to itself.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Production Design<\/p>\n

Maja \u0160avc<\/strong><\/p>\n

for Fantasy<\/strong><\/p>\n

Jury statement: The award for Best Production Design goes to Maja \u0160avc for her outstanding work in Fantasy<\/em>. Carefully designed scenes draw on the region’s multifaceted collective memory, creating a varied, dreamlike world tightly intertwined with the characters’ changing identities, relationships, and interactions.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Costume Design<\/p>\n

Damir Rakovi\u0107<\/strong><\/p>\n

for Fantasy<\/strong><\/p>\n

Jury statement: The award for Best Costume Design goes to Damir Rakovi\u0107 for his excellent work in Fantasy<\/em>. With courageous combinations of colours, textures, and traditions, Rakovi\u0107 enhances the film’s dreamlike world, fully embracing the liberating eclecticism of contemporary popular culture.<\/p>\n

\u00a0<\/strong><\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Make-up<\/p>\n

Tinka Prpar<\/strong><\/p>\n

for Fantasy<\/strong><\/p>\n

Jury statement: The award for Best Make-up goes to Tinka Prpar for her work in Fantasy<\/em>. Her playful yet confident approach effectively underpins the central topics the film explores: the vulnerability and resilience of the protagonists, who tellingly resist social and cultural norms and undergo inner transformations in the process.<\/p>\n

\u00a0<\/strong><\/p>\n

***<\/strong><\/p>\n

 <\/p>\n

Vesna Award for Best Sound<\/p>\n

Julij Zornik<\/strong><\/p>\n

for Little Trouble Girls<\/strong><\/p>\n

Jury statement: In a film about a girl discovering her voice, sound designer Julij Zornik masterfully used a soundtrack of subtle noises to highlight, through sound, the protagonist’s emotional awakening. Whispers, breathing, clothes rubbing against skin, and barely perceptible sounds become a narrative element equal to the picture. Zornik is awarded for an acoustic landscape that we not only hear with our ears but also perceive with our bodies.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

 <\/p>\n

Vesna Award for Best Minority Co-production<\/p>\n

Fiume o morte!<\/strong><\/p>\n

Directed by: Igor Bezinovi\u0107<\/strong><\/p>\n

Slovenian co-producer: Marina Gumzi (Nosorogi)<\/strong><\/p>\n

Jury statement: With the invaluable help of the Slovenian director of photography Gregor Bo\u017ei\u010d, Croatian filmmaker Igor Bezinovi\u0107 made an utterly unique film about a brutal, bizarre event from the post-WWI era. An astounding combination of archive material and recreations, this is a living, breathing film that brings history to life in a way very few films have managed.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Special Achievement<\/p>\n

Fantasy<\/strong><\/p>\n

Directed by: Kukla<\/strong><\/p>\n

Jury statement: The award for Special Achievement goes to Fantasy<\/em> for the originality, ambition, and courage distinguishing its fictional world. Its director, Kukla, and director of photography, Lazar Bogdanovi\u0107, create a hypnotic vision of a world in the making, where \u00e9lan vital<\/em> not only questions tradition but transforms the material, auditory, and visual traces of the past that haunt the present into a force of renewal that manifests itself through the protagonists\u2019 everyday actions.<\/p>\n

\u00a0<\/strong><\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Best Documentary<\/p>\n

Man with Straw Hat<\/strong><\/p>\n

Directed by: Urban Zorko<\/strong><\/p>\n

Jury statement: A concise narrative film about the life of Hinko Smrekar. The thoughtful, well-paced narration and stylistically accomplished animation keep the viewer’s attention in suspense until the very last frame of his tragic fate.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

 <\/p>\n

Vesna Award for Best Short Fiction Film<\/p>\n

DEATH 101 – An Introduction for Beginners: A Handbook with Regulations, Norms, and Useful Tips. Third, Revised Edition<\/strong><\/p>\n

Directed by: Martin Horvat<\/strong><\/p>\n

Jury statement: Creatively blending black humour and absurdity, the film raises questions about mortality and compassion. Through outstanding direction and compelling performances, it reveals the senselessness of bureaucracy and the powerlessness of individuals in the face of its rules.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

 <\/p>\n

Vesna Award for Best Animated Film<\/p>\n

Tales from the Magic Garden<\/strong><\/p>\n

Directed by: David S\u00fakup, Patrik Pa\u0161\u0161, Leon Vidmar, Jean-Claude Rozec<\/strong><\/p>\n

Jury statement: Warm, sincere, and artistically perfected, the film discusses loss, memory, and the love that remains. Using sophisticated stop-motion animation, it takes the audience into a world where sadness and beauty intertwine, gently raising the topics of transience and acceptance.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

 <\/p>\n

Vesna Award for Best Experimental AV Work (Experimental Film)<\/p>\n

The jury chose not to present the award.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

 <\/p>\n

Vesna Award for Best Student Film<\/p>\n

Arachnophobia <\/strong><\/p>\n

Directed by: Melita Sandrin<\/strong><\/p>\n

Production: UNG School of Arts<\/p>\n

Jury statement: The film offers a humorous take on overcoming fear. With an imaginative use of animation, the filmmaker skilfully combines tension, fun, and warmth, demonstrating an honest creative expression that impresses with its masterful, technically accomplished execution.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Vesna Award for Special Achievement<\/p>\n

OHO Film<\/strong><\/p>\n

Directed by: Damjan Kozole<\/strong><\/p>\n

Jury statement: The film celebrates the boldness and freedom of thinking outside established frameworks, providing in-depth insight into a vital part of Slovenian art history while inspiring today’s and future generations of artists, where the boundaries between the possible and the impossible become a testing ground for artistic expression.<\/p>\n

 <\/p>\n

***<\/strong><\/p>\n

 <\/p>\n

Vesna Audience Award<\/p>\n

When I Get Out<\/strong><\/p>\n

Directed by: Metod Pevec<\/strong><\/p>\n

Average score: 4,88<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

OTHER AWARDS<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Slovenian Art Cinema Association Award<\/strong><\/p>\n

for best feature film<\/p>\n

Jury: Bla\u017e Cotman, Armand Meterc, and Erik Toth<\/p>\n

The Mountain Won\u2019t Move<\/strong><\/p>\n

Directed by: Petra Seli\u0161kar<\/strong><\/p>\n

Jury statement: With a keen sense of rhythm and detail, The Mountain Won\u2019t Move<\/em>, an observational documentary by Petra Seli\u0161kar, provides an unvarnished yet poetic insight into the pastoral existence of three young brothers in the mountains of North Macedonia, where routine becomes both happiness and space for doubt. Against the backdrop of an apparent idyll, a deeper narrative of meaning, closeness, and transience emerges, only to ebb into the quietly poetic inevitability of existence. Throughout the film, the director keeps gently encouraging the audience to reflect on who is actually more \u201cremoved\u201d from the concept of life.<\/p>\n

\u00a0<\/strong><\/p>\n

***<\/strong><\/p>\n

The Association of Slovenian Film Critics Award<\/strong><\/p>\n

for best Slovenian feature film in the Official Competition<\/p>\n

Jury: Tina Bernik, Vanja Gaji\u0107, and Darko \u0160trajn<\/p>\n

Little Trouble Girls<\/strong><\/p>\n

Directed by: Ur\u0161ka Djuki\u0107<\/strong><\/p>\n

Jury statement: Any individual liberation from social constraints takes place through a combination of recognising one’s own differences and finding common ground in the form of friendships. In Ur\u0161ka Djuki\u0107\u2019s world, complex relationships are depicted in a cinematically balanced portrayal of the critical period of adolescence caught in the whirlwind of physical excitement and the allure of transcendence. For these reasons, we present the critics\u2019 award for best Slovenian feature film to Little Trouble Girls<\/em>.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Jury for feature films: Andrej Gustin\u010di\u010d, Juraj Leroti\u0107, and Natalija Majsova Jury for short fiction, documentary, experimental, [...]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"yoast_head":"\nAwards - FSF<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fsf.si\/2025\/awards\/\" \/>\n<meta property=\"og:locale\" content=\"sl_SI\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Awards - FSF\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fsf.si\/2025\/en\/awards\/\" \/>\n<meta property=\"og:site_name\" content=\"FSF\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-26T20:44:20+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minuta\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/fsf.si\/2025\/en\/awards\/\",\"url\":\"https:\/\/fsf.si\/2025\/en\/awards\/\",\"name\":\"Awards - 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