{"id":4201,"date":"2019-06-07T16:48:14","date_gmt":"2019-06-07T16:48:14","guid":{"rendered":"http:\/\/www.fsf.si\/2019\/?page_id=4201"},"modified":"2025-09-29T16:18:10","modified_gmt":"2025-09-29T14:18:10","slug":"nagrada-milke-in-metoda-badjure","status":"publish","type":"page","link":"https:\/\/fsf.si\/2025\/nagrada-milke-in-metoda-badjure\/","title":{"rendered":"Badjurova nagrada za \u017eivljenjsko delo"},"content":{"rendered":"
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Janez Bricelj, monta\u017eer
\nPrejemnik nagrade Milke in Metoda Badjure za \u017eivljenjsko delo 2025<\/strong><\/p>\n

\u010clani in \u010dlanice komisije za nagrado Milke in Metoda Badjure v letu 2025: Jerca Jeri\u010d, Matja\u017e \u017dbontar, Ur\u0161ka Kos, Janez Burger, Rado Likon<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Janez Bricelj je kot filmski monta\u017eer slike in zvoka v svoji bogati in dolgoletni karieri sodeloval pri ve\u010d kot 170 filmskih in televizijskih delih ter tako ustvaril obse\u017een opus razli\u010dnih filmskih monta\u017e.<\/p>\n

\u017de od mladih let sta ga zanimala film in glasba, zato ne presene\u010da, da je v za\u010detku 70-ih let pri Viba filmu oddal pro\u0161njo za delo na podro\u010dju monta\u017ee slike in zvoka. V tistem \u010dasu so potrebovali asistenta monta\u017ee pri filmu Sre\u010da na vrvici (1977), katerega monta\u017eer je bil legendarni Du\u0161an Povh. Zaradi natan\u010dnosti in pozornosti, ki jo je namenil zvoku, je Bricelj kmalu iz asistenta monta\u017ee napredoval v monta\u017eerja zvoka. To je bila izjemno pomembna prelomnica v njegovem \u017eivljenju, saj je po tem projektu v vlogi monta\u017eerja zvoka deloval v prvih letih svoje profesionalne poti. Med filmi, pri katerih je sodeloval kot monta\u017eer zvoka, lahko izpostavimo Praznovanje pomladi (1978) re\u017eiserja Franceta \u0160tiglica, ki je na 25. Puljskem filmskem festivalu osvojil nagrado za najbolj\u0161i zvok.<\/p>\n

Leta 1980 mu je Viba film omogo\u010dil \u0161tudij ob delu na Fakulteti dramskih umetnosti v Beogradu. Prvi celove\u010derni film, pri katerem je sodeloval kot monta\u017eer, je bil Poletje v \u0161koljki 2 (1988) re\u017eiserja Tuga \u0160tiglica. V nadaljevanju kariere je montiral celove\u010derne filme \u0161tevilnih priznanih slovenskih filmskih ustvarjalcev, kot so Matja\u017e Klop\u010di\u010d, France \u0160tiglic, Metod Pevec, Marko Naber\u0161nik, Goran Vojnovi\u0107 idr.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Za svoje delo pri celove\u010dernem igranem filmu Piran – Pirano re\u017eiserja Gorana Vojnovi\u0107a je leta 2010 na Festivalu slovenskega filma prejel nagrado vesna za najbolj\u0161o monta\u017eo. Njegov opus zaznamuje tudi podpis pod monta\u017eo mnogih kratkih igranih, animiranih in dokumentarnih filmov, med katerimi je zagotovo treba izpostaviti film (A)torzija (2002) re\u017eiserja Stefana Arsenijevi\u0107a.<\/p>\n

Ker je svojo profesionalno pot za\u010del s snemanjem in monta\u017eo zvoka ter \u0161ele pozneje postal monta\u017eer slike, se pri delu z njim to \u0161e kako pozna. Po besedah njegovih stalnih sodelavcev film najraje primerja z glasbo. Film poslu\u0161a. Zanj je filmski trak na monta\u017eni mizi partitura, ki jo je treba sli\u0161ati in za\u010dutiti pravi ritem, v katerem bo najbolje zazvenela. Janez Bricelj pozna film do obisti, razume njegovo zapleteno naravo in predvsem to, kako ob\u010dutljiv je, kako lahko \u017ee vsaka odve\u010dna ali manjkajo\u010da sli\u010dica vse spremeni. S filmom zato ravna previdno, lahko znova in znova pregleduje posamezne posnetke, izbira najbolj\u0161e igralske izvedbe in dolo\u010da pravo dol\u017eino kadra in sekvence. Pri tem so potrebni potrpe\u017eljivost, marljivost in sposobnost za delo v skupini. Janez Bricelj vse te lastnosti ima in zato spada med najvidnej\u0161e filmske monta\u017eerje v Sloveniji.<\/p>\n

Poleg dela v profesionalnem okolju ne smemo spregledati tudi njegovega dela s \u0161tudenti Akademije za gledali\u0161\u010de, radio, film in televizijo. Sodeloval je pri ve\u010d kot 30 \u0161tudijskih filmih. Z gotovostjo lahko re\u010demo, da je sodelovanje z njim \u0161tudentom odpiralo meje mogo\u010dega v procesu monta\u017ee, kar se ka\u017ee tudi v uspe\u0161nem in plodnem nadaljevanju sodelovanja z nekaterimi od njih. Pri tem ni le montiral njihovih filmov, ampak jih je bogatil s svojim znanjem in izku\u0161njami ter nenazadnje tudi s svojo osebno dr\u017eo. Ta je bila vedno spo\u0161tljivo zadr\u017eana ter hkrati izjemno sodelovalna in naklonjena mladim ustvarjalkam in ustvarjalcem.<\/p>\n

Janez Bricelj je bil vedno zvest filmu in poklicu, ki od monta\u017eerja zahteva samostojno ustvarjalno dr\u017eo nekoga, ki se ne naslanja samo na scenarij, temve\u010d v posnetem materialu i\u0161\u010de predvsem potencial za dober film.<\/p>\n

Njegovo mojstrstvo v obvladovanju monta\u017enih tehnik je slovenski kinematografiji vtisnilo neizbrisen pe\u010dat, zato nagrado Milke in Metoda Badjure za \u017eivljenjsko delo v letu 2025 prejme Janez Bricelj.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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filmografija (izbor)<\/h4><\/span><\/span>\n<\/div>
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celove\u010derni igrani filmi<\/strong><\/span>
\nKomedija solz<\/strong>, Marko Sosi\u010d, Arsmedia, 2016
\nRde\u010da raketa<\/strong>, Vojko Anzeljc, VPK – Videoprodukcija Kregar, 2015
\n\u010cefurji raus!<\/strong>, Goran Vojnovi\u0107, Arsmedia, 2013
\n\u0160anghaj, <\/strong>Marko Naber\u0161nik, Arsmedia, 2012
\nVaje v objemu<\/strong>, Metod Pevec, Vertigo, RTV Slovenija, 2012
\nPiran – Pirano<\/strong>, Goran Vojnovi\u0107, Arsmedia, 2010
\nPetelinji zajtrk<\/strong>, Marko Naber\u0161nik, Arsmedia, 2007
\nEstrellita \u2013 pesem za domov<\/strong>, Metod Pevec, Mediopolis Film, Vertigo, 2006
\nLjubljana je ljubljena<\/strong>, Matja\u017e Klop\u010di\u010d, Arsmedia, 2005
\nPod njenim oknom<\/strong>, Metod Pevec, E-Motion film, 2003
\n\u0160elestenje<\/strong>, Janez Lapajne, Triglav film, 2002
\nZadnja ve\u010derja<\/strong>, Vojko Anzeljc, MANGART, 2001
\nNepopisan list<\/strong>, Jane Kav\u010di\u010d, Arsmedia, 2000
\nPatriot<\/strong>, Tugo \u0160tiglic, Timaro Productions, 1998
\nCarmen<\/strong>, Metod Pevec, Vertigo, E-Motion film, 1995
\nPoletje v \u0161koljki 2<\/strong>, Tugo \u0160tiglic, Filmski studio Viba film, 1988<\/p>\n

celove\u010derni dokumentarni filmi<\/span>
\n<\/strong>Dom<\/strong>, Metod Pevec, Vertigo, 2015
\nAleksandrinke<\/strong>, Metod Pevec, Vertigo, 2011<\/p>\n

celove\u010derni dokumentarno-igrani film <\/strong><\/span>
\nCankar<\/strong>, Amir Muratovi\u0107, Cebram, 2018<\/p>\n

celove\u010derni dokumentarni TV filmi<\/strong><\/span>
\nEdi \u0160elhaus: Bil sem zraven<\/strong>, Jurij Gruden, Arsmedia, 2007
\nFilm pred oltarjem<\/strong>, Metod Pevec, E-Motion film, 2006<\/p>\n

kratki igrani filmi<\/span>
\n<\/strong>100 to\u010dk<\/strong>, Peter Hvalica, UL AGRFT, 2013
\n\u010casotresk<\/strong>, Tosja Flaker Berce, UL AGRFT, 2012
\nLimonada<\/strong>, Maja Prettner, UL AGRFT, 2012
\nKje si stari?<\/strong>, Tosja Flaker Berce, UL AGRFT, 2011
\nNad mestom se dani<\/strong>, Bla\u017e Zavr\u0161nik, UL AGRFT, 2011
\nTrst je na\u0161!<\/strong>, \u017diga Virc, UL AGRFT, 2009
\nSestri\u010dna<\/strong>, Kaya Tokuhisa, UL AGRFT, 2008
\nMoj sin, seksualni manijak<\/strong>, Goran Vojnovi\u0107, Arsmedia, 2006
\nRezina \u017eivljenja<\/strong>, Martin Turk, Arsmedia, 2006
\n\u010crvi<\/strong>, Robert \u010cernel\u010d, UL AGRFT, 2003
\nDan v mestu<\/strong>, Nina Bla\u017ein, UL AGRFT, 2003
\nVla\u017enost 81%<\/strong>, Matja\u017e Ivani\u0161in, UL AGRFT, 2003
\n(A)torzija<\/strong>, Stefan Arsenijevi\u0107, Studio Arkadena, 2002
\nBo\u0161 pa mrzlo jedo<\/strong>, Miha Mlaker, UL AGRFT, 2002
\nFu\u017eine zakon<\/strong>, Goran Vojnovi\u0107, UL AGRFT, 2002
\nSelitev<\/strong>, Jurij Gruden, UL AGRFT, 2002
\nNekoga mora\u0161 imeti rad<\/strong>, Jurij Gruden, UL AGRFT, 2001
\nPavle<\/strong>, Marko Naber\u0161nik, UL AGRFT, 2001
\nZlato srce<\/strong>, Klemen Dvornik, UL AGRFT, 2001
\nCesta<\/strong>, Arne Brejc, UL AGRFT, 2000
\nHop, Skip & Jump<\/strong>, Sr\u0111an Vuleti\u0107, Studio Arkadena, 2000
\nLesi se vra\u010da<\/strong>, Jan Zakonj\u0161ek, A Atalanta, 2000
\nKratka himna domovini<\/strong>, Boris Pal\u010di\u010d, A Atalanta, 1999
\nCarpe diem<\/strong>, Mitja Novljan, Vertigo, 1997
\nKri\u017eci in kro\u017eci<\/strong>, Aleksandra Voka\u010d, Filmski studio Viba film, E-Motion film, RTV Slovenija, 1992
\nBalkanski revolvera\u0161i<\/strong>, Maja Weiss, UL AGRFT, 1991
\nMesto<\/strong>, Tugo \u0160tiglic, Filmski studio Viba film, 1987
\nKmetijskega proizvajalca Mikola\u0161a prvi dopust<\/strong>, Filip Robar-Dorin, Filmski studio Viba film, 1984
\nPogine naj pes …<\/strong>, Andrej Mlakar, Filmski studio Viba film, 1981
\nRistanc<\/strong>, Filip Robar-Dorin, Filmski studio Viba film, 1981<\/p>\n

kratki dokumentarni filmi<\/strong><\/span>
\nPi\u0161\u010dalka<\/strong>, Na\u0161ko Kri\u017enar, Bindweed Soundvision, 2001
\nMinute za film<\/strong>, Du\u0161an Prebil, Filmski studio Viba film, 1993
\nPortret Jo\u017eeta Galeta<\/strong>, Hadi Talal, Filmski studio Viba film, 1992
\nKasa\u010d<\/strong>, Tugo \u0160tiglic, Filmski studio Viba film, 1984
\nJosipdol<\/strong>, Igor Prodnik, Filmski studio Viba film, 1983
\nZadnje lastovke<\/strong>, Marika Milkovi\u010d Bilanovi\u0107, Filmski studio Viba film, 1979<\/p>\n

kratki animirani filmi<\/strong><\/span>
\nEn pri\u0161paran tolar<\/strong>, Borko Rade\u0161\u010dek, Eka Vogelnik, KUD Cineast, 1999
\nMade in Ex-Yu<\/strong>, Zdravko Bari\u0161i\u0107, Atelje za risani film – ARF, 1992
\nCopy<\/strong>, Boris Ben\u010di\u010d, Filmski studio Viba film, 1987
\nPoljubi mehka me radirka<\/strong>, Zvonko \u010coh, Filmski studio Viba film, 1984<\/p>\n

animirane TV serije <\/strong><\/span>
\nHribci<\/strong>, Marjan Man\u010dek, DZS – Dr\u017eavna zalo\u017eba Slovenije, 1993
\nBasni<\/strong>, Bojan Jurc, Sfinga, 1989
\nMedved Bojan<\/strong>, Branko Ranitovi\u0107, Du\u0161an Povh, RTV Ljubljana, Studio 37, 1978<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"Janez Bricelj, monta\u017eer Prejemnik nagrade Milke in Metoda Badjure za \u017eivljenjsko delo 2025 \u010clani in \u010dlanice komisije [...]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"yoast_head":"\nBadjurova nagrada za \u017eivljenjsko delo - FSF<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fsf.si\/2025\/nagrada-milke-in-metoda-badjure\/\" \/>\n<meta property=\"og:locale\" content=\"sl_SI\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Badjurova nagrada za \u017eivljenjsko delo - FSF\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fsf.si\/2025\/nagrada-milke-in-metoda-badjure\/\" \/>\n<meta property=\"og:site_name\" content=\"FSF\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-29T14:18:10+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"7 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/fsf.si\/2025\/nagrada-milke-in-metoda-badjure\/\",\"url\":\"https:\/\/fsf.si\/2025\/nagrada-milke-in-metoda-badjure\/\",\"name\":\"Badjurova nagrada za \u017eivljenjsko delo - 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