Cent’anni
COMPETITION • FEATURE • DOCUMENTARY
2024 • 86min • Colour • stereo Dolby Digital • DCP • 2,39:1
Slovenian with English subtitles.
Co-funded by the Slovenian Film Centre.
After recovering from leukemia, Blaž embarks on a challenging cycling tour over the famous Giro d’Italia climbs. His partner, director Maja, aims to make a film about his recovery, but it becomes a battleground of unresolved wounds in their relationship, placing Maja at the center of the story.
FEATURING:
MAJA DOROTEJA PRELOG (OSEBNO), BLAŽ MURN (OSEBNO), MAJA MURN (OSEBNO)
DIRECTOR’S STATEMENT:
The film held up a mirror to me, and I chose not to look away from the uncomfortable parts of myself. Instead of the intended portrayal of my long-time partner’s triumphant victory over a deadly illness, Cent’anni became my honest confession and a painful analogy of our relationship.
2024 • 86min • Colour • stereo Dolby Digital • DCP • 2,39:1
Slovenian with English subtitles.
Co-funded by the Slovenian Film Centre.
| PRODUCER | ROK BIČEK |
| CO-PRODUCERS | MASSIMO CASULA, ALESSANDRO LEONE, MARTA LEONE, BILJANA TUTOROV |
| PRODUCTION | CVINGER FILM |
| CO-PRODUCTION | ZENA FILM, AGRESYWNA BANDA, RTV SLOVENIJA, WAKE UP FILMS, ZWINGER FILM, RÁTNEEK, CAVATINA FILM PRODUCTION |
After recovering from leukemia, Blaž embarks on a challenging cycling tour over the famous Giro d’Italia climbs. His partner, director Maja, aims to make a film about his recovery, but it becomes a battleground of unresolved wounds in their relationship, placing Maja at the center of the story.
| DIRECTOR | MAJA DOROTEJA PRELOG |
| SCREENWRITER | MAJA DOROTEJA PRELOG |
| DIRECTORS OF PHOTOGRAPHY | LEV PREDAN KOWARSKI, MAJA DOROTEJA PRELOG |
| MUSIC COMPOSER | SEBASTIAN ZAWADZKI |
| FILM EDITOR | UROŠ MAKSIMOVIĆ |
| PRODUCTION DESIGNER | BLAŽ MURN |
| SOUND DESIGNERS | JULIJ ZORNIK, RICCARDO SPAGNOL |
| SOUND RECORDIST | PETER ŽEROVNIK |
FEATURING:
MAJA DOROTEJA PRELOG (OSEBNO), BLAŽ MURN (OSEBNO), MAJA MURN (OSEBNO)
DIRECTOR’S STATEMENT:
The film held up a mirror to me, and I chose not to look away from the uncomfortable parts of myself. Instead of the intended portrayal of my long-time partner’s triumphant victory over a deadly illness, Cent’anni became my honest confession and a painful analogy of our relationship.
